“The Yanka Rudzka Project: Beholding”
Who was Yanka Rudzka—a dancer and choreographer born in Łódź who left Poland after the war, became a pioneer of modern dance in Brazil, and has largely disappeared from Polish historical records?
Yanka Rudzka (1916–2008) is one of the most fascinating figures in Polish modern dance. In prewar Łódź, she helped shape the expressive dance scene, which served as a path to self-determination for many Jewish female artists. After the war, she left Poland for good and founded the country’s first university-level dance institute in Salvador, Brazil. Joanna Leśnierowska has been researching her story since 2013. “The Yanka Rudzka Project: Beholding,” a collaboration among artists from Poland, Brazil, and Germany, does not seek to reconstruct a biography. Instead, through dance, photography, and film, it explores absences, omissions, and interrupted genealogies of an identity spanning places, languages, and cultures.
INVISIBLE CHAOS PRACTICE (ICP)
INVISIBLE CHAOS PRACTICE (ICP) is an interdisciplinary method developed by Magdalena Górnikiewicz that combines contemporary dance, dance theater, improvisation, and automatic drawing. It creates a laboratory-like space for exploring the role of the body, as well as imagination and perception. Thoughts and sensory experiences are captured as sketches, making the invisible tangible and subsequently re-embodied. The central strategy is “Less Is More,” which emphasizes minimalism, sensitivity, and intentionality. ICP emerged from a desire to examine inner narratives free from the pressure to perform, and views what already exists in the body and mind as sufficient. Its foundations include the work of Deborah Hay, Susan Leigh Foster, and Maurice Merleau-Ponty, among others.
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Funding
The residency and Open Studio are taking place in collaboration with the Adam Mickiewicz Institute in Warsaw as part of the International Dance Alliances project, co-funded by the Polish Ministry of Culture and National Heritage



















